It's hard to be sure yet how good Wes Anderson is. I'll just say that I think Darjeeling Limited goes a long way towards breaking out of the fetishisms (commodity and others) that were so endearing/inhibiting in Royal Tenenbaums. Apparently Satyajit Ray is the new fetish, but I think it mostly worked. Still too reliant on a cool soundtrack, though.
Oh, and if Schwartzman cared about street-cred, he could have at least gotten his nose broken to match Brody and Wilson. Seriously, no props on that one.
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